![]() Nearly all professional bassoonists will perform the piece at some stage in their career, and it is probably the most commonly requested piece in orchestral auditions – it is usually requested that the player perform excerpts from the concerto's first two movements in every audition.Īlthough the autograph score is lost, the exact date of its completion is known: 4 June 1774. It is the most often performed and studied piece in the entire bassoon repertory. 191/186e, is a bassoon concerto written in 1774 by Wolfgang Amadeus Mozart. The melody of the trio is actually a variation of the theme used in the second movement, forming a melodic and harmonic (E ♭ major/C minor) link between the inner two movements.The Bassoon Concerto in B-flat major, K. The contrasting Trio in E ♭ major is more thinly scored winds, violins and pizzicato bass. The minuet is in C minor and mainly scored for the tutti and fortissimo. ![]() The fifth variation maintains the triplet-sixteenths, but they move into the background with the melody returning close to its original form as a kind of recapitulation. The fourth variation is in C minor and features some acceleration with the use of triplet- sixteenth notes. ![]() The third variation is again violins and winds. The second variation passes the theme between the low strings and the woodwinds. The first variation features violins and winds. ![]() Although there is some variation in the melody, the primary focus of the variations is on instrumentation and tone color. The second movement is a theme with five variations in E ♭ major, Schubert's only set of symphonic variations. In the opening movement, the initial theme of the Allegro vivace is based on the corresponding first theme of Ludwig van Beethoven's overture to The Creatures of Prometheus. Menuetto: Allegro vivace in C minor (44 bars) - Trio in E ♭ major (24 bars). ![]()
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